Post by account_disabled on Dec 20, 2023 2:38:29 GMT -3
Other forms of promotion come through relationships with radio and newspapers, as well as through presentations. It is on this ground that we ask our authors, especially if they are debuting or authors of works that are weak on the book market such as poems and short stories, to make the greatest commitment. Do you have positive feedback from your web presence? How important do you think it is and how would you like to improve it? Yes, we have many contacts on the Transeuropa website, and many also on the Inaudita series website ( www.inaudita.it ), which presents a series of "extra contents" that can be downloaded using a password contained in the books themselves. The latter is an innovation of ours that is very popular, and which is starting to boast the first attempts at imitation by other publishers.
We think that the future of books, especially ebooks, passes through a careful, "thought-out" choice of extra contents to combine with a book - images, music, videos - in order to create real "reading paths" internal to a specific work and in Special Data connection with other works and artistic sensibilities connected or connectable to it. As for strengthening our presence on the web, it also involves targeted web marketing campaigns (see the “Madeleine sleeps” competition) and commercial promotions on books on sale directly from our sites (an operation which we will certainly strengthen in the coming months, entrusted as is under the care of our commercial director, the writer Michele Vaccari). Why should a reader read your books? What makes your catalog different from countless others? We have a long translation of scouting, which dates back as mentioned to the work on under 25s inaugurated by Pier Vittorio Tondelli.
Those who read our books and know, or learn about, our history immediately feel the passion we put into our work, both in the selection of titles and in the care of the book as an object. And he knows that every time we love to surprise ourselves and surprise with "unheard of" initiatives. What would you recommend to aspiring writers who would like to publish with you? First of all, they must know our catalogue, at least in part, to tune in to our editorial line. Which however is not enough, given that as mentioned we love to surprise ourselves and therefore we do not like serial or epigonal production. It would be better to meet in person, for example to get to know each other and make yourself known by attending one of our workshops or courses. Or they can pass through the scrutiny of one of our authors or other authors who follow our work: in many cases the right application also reaches us this way. Yet another way is to go through a literary agency. Self-nominations by post and email, however, will have about 10% success.
We think that the future of books, especially ebooks, passes through a careful, "thought-out" choice of extra contents to combine with a book - images, music, videos - in order to create real "reading paths" internal to a specific work and in Special Data connection with other works and artistic sensibilities connected or connectable to it. As for strengthening our presence on the web, it also involves targeted web marketing campaigns (see the “Madeleine sleeps” competition) and commercial promotions on books on sale directly from our sites (an operation which we will certainly strengthen in the coming months, entrusted as is under the care of our commercial director, the writer Michele Vaccari). Why should a reader read your books? What makes your catalog different from countless others? We have a long translation of scouting, which dates back as mentioned to the work on under 25s inaugurated by Pier Vittorio Tondelli.
Those who read our books and know, or learn about, our history immediately feel the passion we put into our work, both in the selection of titles and in the care of the book as an object. And he knows that every time we love to surprise ourselves and surprise with "unheard of" initiatives. What would you recommend to aspiring writers who would like to publish with you? First of all, they must know our catalogue, at least in part, to tune in to our editorial line. Which however is not enough, given that as mentioned we love to surprise ourselves and therefore we do not like serial or epigonal production. It would be better to meet in person, for example to get to know each other and make yourself known by attending one of our workshops or courses. Or they can pass through the scrutiny of one of our authors or other authors who follow our work: in many cases the right application also reaches us this way. Yet another way is to go through a literary agency. Self-nominations by post and email, however, will have about 10% success.